The Underworld of Lesser Degrees (NYQ Books, 2015) 

The Underworld of Lesser Degrees















Advanced Praise

Ezra Pound valued “melopoeia” as an aspect of poetry that charges words with a musicality that extends language beyond normal meanings. Daniel Y. Harris’s extraordinarily capacious The Underworld of Lesser Degrees brought me the pleasures of a music that is so delightful in its soundings – “such gorgeous nonsense” — that even if the poems were written in a foreign language I would have fallen in love with a text of “haloed dementia” that “escapes from handcuffs” of conventional lyrics.  Beyond the text’s sonic extravagance, Daniel Y. Harris is the “perfect mentor to lead us below up” in poetry that takes amazing risks in its willingness to showcase the writer’s unprecedented range of tones and subjects (Yahweh, Allah, fetishism, pianos, pastrami sandwiches, forks, baseball, simplicity, chemical equations, and shit), massive knowledge base of secular and sacred literatures (Kafka, Bloom, Nietzsche, Rimbaud, and Sartre) and scientific discourse.  Daniel Y. Harris is among our most underacknowledged major poets.

Daniel Morris, Professor of English, Purdue University and author of Lyric Encounter: Essays on American Poetry from Lazarus and Frost to Ortiz Cofer and Alexie

Daniel Y. Harris’ The Underworld of Lesser Degrees is a regal feast of incisive signification.  This rich and extensive collection of masterfully crafted poems roams uninhibitedly from the noxious to the sublime, all the while pressing and muscling toward the ultimate frontiers of both vision and language. Harris might be described as one of our new breed of urban imagists, fearless in his deployment of nuance and astonishing in his opening of alternate universes of meaning and experience.

Carl Raschke, Professor of Religious Studies, University of Denver and author of Fire and Roses: Postmodernity and the Thought of the Body

Daniel Y. Harris is a surrealist theologian, a Jewish mystic, a fantasist and above all else a poet of the unknown. The Underworld of Lesser Degrees is populated by an ingenious and undeniably ghastly array of imaginary demons, ghosts, angels, animals and other creatures who curse and sing to each other between these intertextual poems. In the same way their creator casts his literary spell around his readers, enticing them to share his occult dreams. These risky and at times risqué texts bear witness to the precocious talents of a magical and restless writer willing to guide us all into the terrible and enticing dark that surrounds us.

—Rupert M. Loydell, Senior Lecturer in English, Falmouth University and Editor of Stride in England, is the author of Ballads of the Alone and Encouraging Signs

The Underworld of Lesser Degrees may be the first healthy literary baby of the digital age, formed as it is by a laser-like bombardment of disparate intelligences from prehistory through Biblical times into, even, the theoretical future. The verbal hypertext of language, symbol, and alchemy—of beautifully assembled complex interchanges—pulsing here defies easy comprehension but exudes the light of brilliance for all who wish to see.

—Gordon Massman, author of Love, Death and 0.174


The Underworld of Lesser Degrees, Review by Ricardo Nirenberg, The Pedestal Magazine

The Underworld of Lesser Degrees, “A NEW INSCAPE: The Aleatoric Post-Millennial Techno-Blizzard,” Review by AC Evans, Stride


Hyperlinks of Anxiety (Červená Barva Press, 2013)

Cover, Hyperlinks of Anxiety, Daniel Y. Harris

Advanced Praise

Daniel Y. Harris’s new volume of poetry brings together a range of texts – older and newer – evocative of the qualms and uncertainties of our new millennium.  A subtle and highly affective read.

—Sander L. Gilman, Distinguished Professor of the Liberal Arts and Sciences; Professor of Psychiatry, Emory University

Is cyberspace the most recent iteration of the diaspora? Will the next Zohar be composed in computer code? Can notarikon generate lyric poems out of the discourses of pharmacology, neurology, biophysics…? Welcome to the Hotel Url, Daniel Y. Harris, sole owner and proprietor, where these questions—and others that the reader has yet to dream—will be answered. No need to be anxious: in less than a nanosecond, the hyperlinks elaborated in Harris’s poems will whisk you from catastrophe creation to apocalypse and beyond. Beam me up, Ezekiel!

—Norman Finkelstein, Professor of English, Xavier University and author of On Mount Vision: Forms of the Sacred in Contemporary American Poetry

Daniel Y. Harris combines impressive erudition with a profound awe for continuity—that the eternal energies underlying Life itself constantly (re)iterate and (re)incarnate in myriad waxing and waning forms. Ideas birth Art; Art births Ideas. In such fashion, to employ classic terms, the heart and mind forge a dynamic union resulting in both clarity of perception and depth of feeling. These are poems to be read and reread, concepts and descriptive phrases operating like portals into other worlds. In Hyperlinks of Anxiety, Harris functions as a twenty-first century, digital alchemist, adeptly yoking the abstract and concrete, offering us singular and transformative experiences, all the while reminding us that Poetry is trans-authorial, Mystery our only true teacher.

—John Amen, author of At the Threshold of Alchemy; editor of The Pedestal Magazine

Critical Essays

Tech support says “Dead Don Walking”: Tradition, the Internet, and Individual Talent, Essay by Daniel Morris, Notre Dame Review


Hyperlinks of Anxiety, Review by John Amen, Offcourse Literary Journal

Hyperlinks of Anxiety, “Fear the Moral Nebulae,” Review by A.C. Evans, Stride


Hyperlinks of Anxiety, “The Editor’s Picks 2013,” Stride


Unio Mystica (Cross-Cultural Communications Publications, 2009)


Advanced Praise

“Harris’ poetry transmutes ancient symbols and concepts into contemporary wisdom. His work stretches and surprises our imagination.”

—Daniel C. Matt, author of The Essential Kabbalah and God and the Big Bang, translator of The Zohar


Unio Mystica, Review by JoSelle Vanderhooft, The Pedestal Magazine